Free PDF The Schillinger System of Musical Composition (2 volume set), by Joseph Schillinger
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The Schillinger System of Musical Composition (2 volume set), by Joseph Schillinger
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combined with instrumental inference
- Sales Rank: #5510534 in Books
- Published on: 1946-01-01
- Binding: Hardcover
- 1640 pages
Most helpful customer reviews
28 of 29 people found the following review helpful.
Mind Blowing ! ! !
By Eddie Landsberg
I got this book about a month ago, and its become an obsession. Literally I cant put it down. It is mind blowing to say the least. - - Schillinger presents an entire new way of looking at music. It is very relevent for the modern Jazz improviser (Personally, I play Jazz organ and have a penchant for Hard Bop and Soul Jazz.) The jargon does get a bit intimidating at times, but once you sit down with your instrument and fiddle around, whole new worlds open up even if you dont understand it fully. You begin to see the beauty and logic behind some of your favorite compositions. - - I had a ball the first night I read it experimenting with different melodies by doing permutations... Its even helped me figure out all that wierd lingo in the Yusef Lateef book on Scales and Patterns. - - The one thing Ill say though... this book aint for dabblers. You gotta have a lot of time and motivation on your hands. I spend about 12 hours a day at my instrument... and even that aint enough, so for me, the book is great. But if youre not lucky or disciplined enough to have this kind of time however, still are curious about more mathematical ways of envisioning creative Jazz lines, I suggest JIMMY AMADIEs book JAZZ IMPROV: HOW TO PLAY IT; HOW TO TEACH IT.
3 of 4 people found the following review helpful.
a nice book but a bit expensive.
By curti
this book comes in two volumes and covers a wide range of ideas.
before buying i would suggest buying a pad of graph paper,
as many of joseph schillinger ideas are based upon a graph format.
the downside for me was the price of the books, so if you are to annotate the book i would do it in pencil!
i have found through unearthing these ideas that the principle ideas are allot simpler than they appear on the page, so its always good to keep that in mind.
these books describe the nature of music from a scientific viewpoint (e.g colliding waves, ideas of growth in music in comparison to nature such as the Fibonacci series ect, distributive powers, the coordination of time structures these are are only a small number of ideas in regard to the section upon rhythm and they all come from a mathematical standpoint
many of the same ideas based on rythm will also correspond to pitch.
many great composers such as charles stepney,george gershwin, glen millier ect used this sytem and composers especially in the feild of filmography due to Joseph's Schillinger's ideas based on the semantics of music use thissystem, good luck
15 of 15 people found the following review helpful.
a must for every serious contemporary composer and/or improv
By Guy Ross
although terminology might be a little out-dated(both mathematicaly and musicaly),the book contains an overwhelming number of ideas and aprroaches toowards melody,scales,harmony etc. Some of these ideas have been exploited PARTIALLY {for instance:Coltrane's symetric scales on Giant Steps) in modern music,but there's plenty left for any style of music.As an avid student of modern jazz and fusion improvisation I havn't been able to come across a larger body of knowledge even amongst such Berkley "legends" as goodrick,bergonzi etc.
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