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Introduction to Microwave Remote Sensing offers an extensive overview of this versatile and extremely precise technology for technically oriented undergraduates and graduate students.

This textbook emphasizes an important shift in conceptualization and directs it toward students with prior knowledge of optical remote sensing: the author dispels any linkage between microwave and optical remote sensing. Instead, he constructs the concept of microwave remote sensing by comparing it to the process of audio perception, explaining the workings of the ear as a metaphor for microwave instrumentation.

This volume takes an “application-driven” approach. Instead of describing the technology and then its uses, this textbook justifies the need for measurement then explains how microwave technology addresses this need.

Following a brief summary of the field and a history of the use of microwaves, the book explores the physical properties of microwaves and the polarimetric properties of electromagnetic waves. It examines the interaction of microwaves with matter, analyzes passive atmospheric and passive surface measurements, and describes the operation of altimeters and scatterometers. The textbook concludes by explaining how high resolution images are created using radars, and how techniques of interferometry can be applied to both passive and active sensors.

• Sales Rank: #2006946 in Books
• Published on: 2005-11-02
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .88" w x 7.01" l, 1.97 pounds
• Binding: Hardcover
• 400 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
I wish all my textbooks were this good
By Science Tech
I checked this book out from a library at my university. As technical books go, this one is remarkably easy to read and understand. The author presents a detailed, in-depth look at the principles of microwave remote sensing with interesting examples, humor, and a remarkably clear writing style. All the relevant math equations and physics are given, but the book never loses sight of the practical applications and real-world implications of the equations.

0 of 0 people found the following review helpful.
A very nice and readable book with a good level of depth
By M. TOSSAINT
A very nice and readable book with a good level of depth. Mr Woodhouse certainly knows how to teach people.

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Charlotte Brontë’s impassioned novel is the love story of Jane Eyre, a plain yet spirited governess, and her employer, the arrogant, brooding Mr. Rochester. Published in 1847 under the pseudonym Currer Bell, the book heralded a new kind of heroine—one whose virtuous integrity, keen intellect, and tireless perseverance broke through class barriers to win equal stature with the man she loved. Hailed by William Makepeace Thackeray as “the masterwork of a great genius,” Jane Eyre is still regarded, over a century later, as one of the finest novels in English literature.

• Sales Rank: #32013 in Books
• Color: Red
• Brand: Bantam Classics
• Published on: 1983-10-01
• Released on: 1983-09-01
• Original language: English
• Number of items: 1
• Dimensions: 6.86" h x .87" w x 4.14" l, .50 pounds
• Binding: Paperback
• 492 pages

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• Great product!

From the Back Cover
An orphan who endures a harsh childhood, Jane Eyre becomes governess at Thornfield Hall in the employment of the mysterious Mr. Rochester. Jane's moral pilgrimage and the maturity of Charlotte Bronte's characterization are celebrated aspects of the novel, as is its imagery and narrative power. Rapidly reprinted following its first publication in 1847, Jane Eyre still enjoys huge popularity as one of the finest novels in the English language.

About the Author
Emily Jane Brontë was the most solitary member of a unique, tightly-knit, English provincial family. Born in 1818, she shared the parsonage of the town of Haworth, Yorkshire, with her older sister, Charlotte, her brother, Branwell, her younger sister, Anne, and her father, The Reverend Patrick Brontë. All five were poets and writers; all but Branwell would publish at least one book.

Fantasy was the Brontë children’s one relief from the rigors of religion and the bleakness of life in an impoverished region. They invented a series of imaginary kingdoms and constructed a whole library of journals, stories, poems, and plays around their inhabitants. Emily’s special province was a kingdom she called Gondal, whose romantic heroes and exiles owed much to the poems of Byron.

Brief stays at several boarding schools were the sum of her experiences outside Haworth until 1842, when she entered a school in Brussels with her sister Charlotte. After a year of study and teaching there, they felt qualified to announce the opening of a school in their own home, but could not attract a single pupil.

In 1845 Charlotte Brontë came across a manuscript volume of her sister’s poems. She knew at once, she later wrote, that they were “not at all like poetry women generally write…they had a peculiar music–wild, melancholy, and elevating.” At her sister’s urging, Emily’s poems, along with Anne’s and Charlotte’s, were published pseudonymously in 1846. An almost complete silence greeted this volume, but the three sisters, buoyed by the fact of publication, immediately began to write novels. Emily’s effort was Wuthering Heights; appearing in 1847 it was treated at first as a lesser work by Charlotte, whose Jane Eyre had already been published to great acclaim. Emily Brontë’s name did not emerge from behind her pseudonym of Ellis Bell until the second edition of her novel appeared in 1850.

In the meantime, tragedy had struck the Brontë family. In September of 1848 Branwell had succumbed to a life of dissipation. By December, after a brief illness, Emily too was dead; her sister Anne would die the next year. Wuthering Heights, Emily’s only novel, was just beginning to be understood as the wild and singular work of genius that it is. “Stronger than a man,” wrote Charlotte, “Simpler than a child, her nature stood alone.”

Review
"At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë."—Virginia Woolf

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233 of 256 people found the following review helpful.
The only edition to buy
By Joseph Guyer
This review is aimed more toward the Norton edition than to JANE EYRE. We all know this is a classic. Bronte was simply a genius and a harbinger of romantic, dramatic, gothic, and horror writing. (However, it still irks me that she couldn't end a simple sentence with a period. Every declarative statement, it seems, must be qualified with a colon or semi-colon. Oh well. Sign of the times.)

As for the Norton edition, it's the only one to buy. Bronte makes the assumption that you have read the Bible cover-to-cover a zillion times, and for those of us who have not read it through once, Norton's annotations are more than helpful---they're essential to understanding the novel's Christian allusions. This edition also provides the reader with critical essays, contexts of Bronte's life, Bronte's reactions to critics of her day, etc.

Bottom line: you can get the Dover Thrift edition for a couple bucks, but, if you are interested in giving this classic more than a cursory read, this edition is worth the extra money.

212 of 237 people found the following review helpful.
wuthering heights editions
By Jordi Vilalta Lopez
Rather than delve on the contents of this strangest and strongest of English novels, so intensely poetic in its haunting darkness and otherness, I'll comment briefly on the best editions available for a good first contact:

A) Text oriented editions (that is, editions with few materials added: normally an Introduction, annotation, and perhaps Charlotte's Peface and Biographical Notice and some bibliographical indications).

1. Oxford World's Classics: authoritative text, good annotation,
excellent introduction.

2. Penguin's Classics: same as above, everything looks a little shorter but is excellent nonetheless.

3. Wordsworth Classics edition. This would be a rather fine edition as befitting this collection, if it had a good 1847 text and not the heavily tampered-with Charlotte's 1850 edition. The text itself reflects accurately that of the 1900 Haworth Edition -a careful one-. The wording changes aren't perhaps so worrying nor is the toning-down of the dialectal tirades -although funny and useless-. What is worrying is the disappearance of more than six hundred paragrapph entries (I mean just the paragraphing, not the contents itself!), that makes for a different -and worse- reading experience. Very good and full -if brief- annotation. Mass-market, glued paperback.

4. Heather Glen's for Routledge. One of the finest text-oriented editions, especially for the excellent Introduction and Epilogue together with its good annotation, out-of-print for rather obscure reasons. If you find still a very good to fine copy at amazon Canadian branch (or at abebooks.com, it would be a good buy.

5. Orchises two-volume facsimile reprint of the 1847 edition. No notes nor any additional material. the books are well produced if a little expensive. Very interesting item, but only suitable for textual scholars or would-be scholars, or otherwise for fetish-oriented WH-maniacs.

B) Study-oriented editions (i.e. editions that contain additional contextual information: early reviews, selection of Emily's poems, critical essays, chronologies of the novel or of the Bronte family...).

6. Norton's Fourth Edition (current item): OK, the text is still a little idiosyncratic, but the notes are much improved, and so is everything else (with the anthology of poems, and the critical essays). A very fine study edition but also suitable for a first contact, although annotation is still on the scarce side. Good paperback production without flaps but signature-sewn (or so it seems) and good paper and printing quality (albeit with a rather small type).

7. Broadview edition by Beth Newman: it's one of the best study editions overall. There are some minor textual foibles and the annotation is decidedly scanty (to make amends for Heywood excesses) but good and accurate, and both Prof. Newman ecellent Introduction and the selection of the additional contextual material is, arguably, the finest ever (including the very interesting document on "Brain fever"). Materially speaking, it is a good paperback without flaps with good paper and printing quality (like Norton Critical, although I can't ascertain without tearing apart my copy of Beth Newman's that it be signature-sewn instead of glue-only "perfect binding). In any case a very good buy.

7. Alison Booth's for Longman Cultural. Other of the very best study editions available. The text is deadly acuurate -except for some 1850 unobtrusive detail- on the
Clarendon 1976 reference critical edition, although the punctuation -like Norton Critical, Broadview's Newman and Oneworld's one- has been silently lightened and modernized throughout. It looks like glue-only "perfect binding" paperback, but perhaps it is signature-sewn. Paper and printing quality are good enough. The only misgiving I have is the overdone fragmentation of contextual material (good and relevant material though it is): there are 40+ items, many of them very short or they wouldn't fit into 430 pages. One of the best possible buys.

8. Onewold's Classics edition. A fine paperback edition with flaps, very good paper and printing quality and (I rather surmise than know for sure) signature-sewn. The text looks like 1847 in paragraphing but it takes in too
many of 1850 "improvements" and is wrong at some places: it's short of a disaster, but rather non-reliable (in spite of the well-meant efforts by the almost anonymous editing panel who perpetrated it). Annotation is good and comprehensive enough, but the contextual material is rather scanty and run-of-the-mill non-commital.

9. Barnes&Noble's Tatiana Holway edition (hardcover). To say it promptly the only fault with this lovely edition (but, as stated above in wordsworth Classics edition, a really big fault) is its accurate and reliable 1850 Haworth Edition text. Other than this, it looks as a popularly oriented edition, but with quality marks. The Introduction by Daphne Merkin is good enough, the annotation by Holway is really excellent. Supplementary material is very scanty: the "Charlotte's prefatory materials" of 1850 (prefixed to the text, which is a pity), and some comments about film and TV adaptations as well as some chosen excerpts of reviews. Material production is outstanding: nice hardcover with dust jacket, good paper and printing quality, the only good available edition in a becoming format (Clarendon Edition is very hard to come by nowadays: say one to three years to pin it down). Don't forget the Franklin Mint editions of the sixties and seventies if you are interested in a very beautiful book with a reliable 1847 text and illustrations by Alan Reingold (and nothing else).

411 of 471 people found the following review helpful.
Do not miss out on this book...
By KayBee
You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.

There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.

Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.

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• Sales Rank: #2999240 in Books
• Published on: 2010
• Binding: Hardcover

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• Published on: 2013
• Binding: Paperback

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The No Asshole Rule is a New York Times, Wall Street Journal, USA Today and Business Week bestseller.

• Sales Rank: #6047 in Books
• Brand: Sutton, Robert I.
• Published on: 2010-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .75" w x 5.50" l, .50 pounds
• Binding: Paperback
• 238 pages

From Publishers Weekly
This meticulously researched book, which grew from a much buzzed-about article in the Harvard Business Review, puts into plain language an undeniable fact: the modern workplace is beset with assholes. Sutton (Weird Ideas that Work), a professor of management science at Stanford University, argues that assholes—those who deliberately make co-workers feel bad about themselves and who focus their aggression on the less powerful—poison the work environment, decrease productivity, induce qualified employees to quit and therefore are detrimental to businesses, regardless of their individual effectiveness. He also makes the solution plain: they have to go. Direct and punchy, Sutton uses accessible language and a bevy of examples to make his case, providing tests to determine if you are an asshole (and if so, advice for how to self-correct), a how-to guide to surviving environments where assholes freely roam and a carefully calibrated measure, the "Total Cost of Assholes," by which corporations can assess the damage. Although occasionally campy and glib, Sutton's work is sure to generate discussions at watercoolers around the country and deserves influence in corporate hiring and firing strategies.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
We all know them or know of them--the jerks and bullies at work who demean, criticize, and sap the energy of others, usually their underlings. It could be the notorious bad boss or the jealous coworker, but everyone agrees that they make life miserable for their victims and create a hostile and emotionally stifling environment. Fed up with how these creeps treat others and poison the workplace, Sutton declares war and comes out calling them exactly what they are--"certified assholes." Caricatured in sitcoms such as The Office, these brutes are too often tolerated until irreparable damage is done to individuals and the organization as a whole. Sutton's "no asshole rule" puts a stop to the abuse in no uncertain terms. Similar rules have transformed such companies as JetBlue, the Men's Wearhouse, and Google into shining examples of workplaces where positive self-esteem creates a more productive, motivated, and satisfied workforce. If you have ever been a victim, just reading Sutton's analysis brings calm relief, empowerment, and reassurance that you're not alone. David Siegfried
Copyright © American Library Association. All rights reserved

Review
Did the Harvard Business Review really print an article that used the word " asshole " eight times? Apparently so, and from it evolved this audio book, a handy guide to the domineering bullies found in the workplace, on the sports field, and in the government. The author reads this abridgment in a friendly, informative style, making it one of the stronger business titles this season.

Most helpful customer reviews

306 of 320 people found the following review helpful.
An Excellent Must-Read for Anyone in the Workforce
By S. Johnson
I am not one who typically reviews books. I do have to say that the No A**hole Rule was an excellent book both in researched content and personality. I was able to read this book in one sitting. It is very topical for anyone who shares a workplace with A**holes or demeaning people. I am sure that most of us do not have the luxury of avoiding these people on a day to day basis. If so, let me know where you work .

For the most part, it is inevitable that we have to deal with these people face to face. This is the first book that doesn't skirt around the facts of diagnosing these people as a**holes (by there actions) and giving effective advice on how to deal with them or not be one of them.

Bob Sutton's List of The Dirty Dozen Common Everyday Actions That A**holes Use

1. Personal insults

2. Invading one's personal territory

3. Uninvited personal contact

4. Threats and intimidation, both verbal and non-verbal

5. Sarcastic jokes and teasing used as insult delivery systems

6. Withering email flames

7. Status slaps intended to humiliate their victims

8. Public shaming or status degradation rituals

9. Rude interruptions

10. Two-faced attacks

11. Dirty looks

12. Treating people as if they are invisible

The Author sites companies that have effectively instilled a "No A**hole Rule" because they have realized that the true cost of the A**hole runs deeper than the A**hole's salary (TCA or Total Cost of A**holes). It truly can diminish productivity in the office, increase employee turnover, stifle communication, and lower employee self esteem and health. The book explains how to implement a No A**hole Rule at any organization.

According to the book, negative interactions have a five time stronger effect on mood than positive interactions. So you can see that keeping around that "very productive A**hole" may have deeper implications that do not show up on the books, but take a toll on the ones around him/her.

There is a whole section in the book detailing how to avoid being an A**hole which I won't get into here. I think that it is a truly insightful section on how to face ones own demons, and to be a more effective co-worker/partner/boss in a work environment.

The section that really jumped out for me (due to its immediate applicability) was the ways to deal with A**holes. Many books talk about enthusiasm and working harder with passion allows you to get around people who are demeaning and rude at work. This book explains that this is not necessarily the head on solution to avoid rudeness in the workplace. In some instances, developing indifference and emotional detachment may be the best way to survive in the long run while achieving small victories. In the end, small victories can lead to winning the war. You can also limit your exposure, hope for the best and expect the worse, de-escalate and re-educate, or stand up to A**holes.

In conclusion, this was a great read. I think it is extremely topical for anyone who is involved in HR or hiring new employees and management. I also believe that it is an especially good read if you are a victim of A**holes on a day to day basis.

Oh, it also makes a GREAT GIFT for the token A**hole in your office. Enjoy!

419 of 445 people found the following review helpful.
A New Best Book on Empowerment in the Workplace
By E. Gerber
I have never written a review on Amazon, but feel strongly about writing a review for Sutton's No A**hole book because I feel many people whose might be concerned about the "taboo" title might not look beyond it and do themselves a great disservice.

As a female professional, I felt highly empowered reading this book. Dr. Sutton acknowledges the bullying and crass behavior that frequently occurs in the workplace and offers concrete ways to combat these trying individuals. I have already practiced his technique of publicly discounting bullying behavior with great success.

I found his suggestions for handling office place bullies - as both a superior and subordinate actions extremely smart and well-grounded. This book is based on sound social psychology and organizational research and does a great service to workers throughout the world.

I have dog earred many pages of the book and expect it to be a handy reference for many years to come.

269 of 286 people found the following review helpful.
A Simple, but Extremely Valuable Premise!
By D. Buxman
I'll make my review brief, since this is a little book with a very concise point. Basically, life is far too short to tolerate jerks in the workplace. It's easy to spot these people based upon the havoc they wreak and the fact that they always choose targets with less power than themselves. This book provides terrific strategies for dealing with jerks, whether you are in management and want to weed them out, or are unfortunate enough to be working under them.

One of my favorite lines in the book is: " Passion is an overrated virtue in organizational life, and indifference is an underrated virtue." While self-professed management gurus who have never had a real job like to trumpet passion in the workplace (and implicitly accept jerk-like behavior), Dr. Sutton points out that sometimes a bit of detachment goes a long way in making life bearable. This is a book about picking your battles and doing what you can to make your workplace enjoyable. It is a quick, interesting and easy read.

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Now available for the first time in paperback, this book remains the definitive survey of the life and work of Surrealist artist Leonora Carrington (1917-2011), providing a fascinating overview of this intriguing artist's life and rich body of work. Carrington's preoccupation with alchemy and the occult, and the influence of indigenous Mexican culture and beliefs on her production are all explored.

• Sales Rank: #514911 in Books
• Published on: 2010-03-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .60" w x 11.50" l, 1.96 pounds
• Binding: Paperback
• 160 pages

Review
'full of stunning colour reproductions of Carrington's visionary art, whose hybrid forms borrow from nature, culture and religion in order to take themselves beyond all three. A beautiful book.' --Ali Smith, The Sunday Telegraph

About the Author
Susan L. Aberth received her PhD in Art History from the Graduate Center of the City University of New York; her dissertation was on the art of Leonora Carrington. She is currently Assistant Professor of Art History at Bard College, New York, where she specializes in Latin American Art.

Most helpful customer reviews

76 of 82 people found the following review helpful.
The bizarre life and exceptional work of an eccentric artist
By Walter O. Koenig
Anyone interested in the Art and the life of Leonora Carrington will welcome this beautiful book. Surprisingly there is next to nothing available about Carrington, and the few books that are out of print only give very little information about her and not enough illustrations of her work. Hence this book was long awaited and is certainly the most extensive book yet published about this original, mysterious and fascinating artist.

In the foreword the author explains that the object of the book is two fold, to outline the artist's life and to provide an overview: "of the full scope of her work

in painting, sculpture, drawing, printmaking, and theatrical set and costume design" (p.9). If both of these objects would have been realized this would have been an extensive work and valuable work.

The biographical portion of the book attempts to give a biographical sketch of Carrington. The first chapter covers her life from her birth in 1917 in Lancashire, England, to a wealthy Catholic family, as a rebellious adolescent, to her insistence against her family's wishes to attend art school. The second chapter describes her relationship with Max Ernst, their life in France and her "induction" at the age of nineteen to the Surrealist movement. Thee third chapter tells of her war time experiences which included being separated from Ernst who was imprisoned as an enemy alien in France, being put in a Spanish Insane Asylum, breaking with her family and marrying a Mexican Diplomat so that she could get out of war torn Europe. The fourth chapter begins with her move to Mexico in 1943, her marriage to Emerico "Chiki" Weisz, about whom we learn next to nothing, and her emergence as a mature artist, which coincides with her friendship with fellow surrealist painter Remedios Varo. Aberth explains that Carrington and Varo were inseparable and saw each other almost daily for decades. They shared interests in bizarre cooking, the esoteric, alchemy, witchcraft, cats, and of course painting. A look at the painting of the two artists from this time shows a remarkable similarity in subject matter, style and colors, yet both remain distinct. It seems obvious that they deeply influenced one another in many areas. These four chapters are the most interesting of the book and read as a most improbable life story. It is also in the first four chapters were the problems of the book start to show. First of all, there is a heavy reliance on the books by Whitney Chadwick who has written several books on Carrington and on Janet Kaplan, the biographer of Remedios Varo. We are given less and less facts about Carrington's life and it becomes increasingly obvious that very little primary research, if any at all went into this book. This becomes most evident in the last chapter of the book that describes the last fifty years of Carrington's life in barely five pages. The readers can also ask themselves what happened in this period when she became recognized internationally as an artist. Did she remain married? Did she continue having mental problems? What did she do after Varo died? Why did she move to the US? Why did she return to Mexico? How did she deal with success? Was she re-united with her family?

The book reproduces about ninety of Carrington's works. Almost all of these are paintings. There are a few sculptures and one photograph of set design and costumes. Only a few paintings are described in any detail, so the readers have to fend for themselves to try decipher the symbolism and meaning. Most of the illustrations are of fairly high quality, but some are too small. The last photograph of Carrington dates from ca. 1960, so we have no idea what she looks like today.

The book fails to deliver on both of its "objects" to provide an overview of both life and work, and in that respect it is disappointing. Very little is said about Carrington's numerous published books, which could have been used as source material to a much better effect.

Still this book is valuable as it is the only book about Carrington and her art currently in print and it will hopefully attract many readers and new admirers. I can only hope that a Catalogue Raisonais similar to the Remdios Varo Catalogue published a few years ago will be forthcoming with more critical information about Carrington's work. A detailed biography would also be welcome. Despite all of my reservations, I still recommend the book highly, because of Carrington's bizarre life and interests and her exceptional original talent as an artist.

Review by Walter O. Koenig

0 of 0 people found the following review helpful.
Beautiful prints of Leonora Carrington's paintings and drawings as well ...
By margery
Beautiful prints of Leonora Carrington's paintings and drawings as well as interesting account of her life. Much better quality book (the color prints) than I expected.

10 of 11 people found the following review helpful.
A tantalizing introduction to a visionary artist & writer
By OwlSong
As previous reviewers have mentioned, there's surprisingly very little material available about the life & work of Leonora Carrington, still alive & working until her death at 94 in Mexico City. With such a long life & richly productive career, we could use a much longer & more detailed book! But until that time, this slim volume is a superb introduction to an astonishingly powerful creative force, one that deserves to be better known.

The author wisely focuses on just a few key themes in Carrington's work -- Celtic & pagan myth, childhood Catholicism & Surrealist anti-Catholicism, alchemy & the occult, and the multicultural history of Mexico, her adopted home. From the first, she emerges as a fiercely independent woman who knows her own mind, and who pursues her individual vision wherever it may take her. Always open to new sources of knowledge & wisdom, she seems to have incorporated them into her own strong personality, and used them to deepen both her life & her work.

While we're given a basic biographical outline, what really matters here is the work itself, both visually & in print -- because Carrington is one of those rare artists equally adept at painting & sculpture on one hand, and writing on the other. The names of her friends, lovers, and peers is remarkable, encompassing much of the major creative tradition of the 20th Century. But in the end, she is undeniably at the center of that luminous labyrinth.

If you're not familiar with her work thus far, go immediately to your favorite search engine & discover her paintings. These are mysterious, visceral, glowing images out of dreams, both archetypal & yet deeply personal. If they touch a primal chord within you, then waste no time in getting a copy of this book. Most highly recommended!

See all 25 customer reviews...

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• Sales Rank: #1815432 in Books
• Published on: 2015-10-06
• Original language: Spanish
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 5.90" l, .55 pounds
• Binding: Paperback
• 288 pages

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PDF Ebook The Millionaire's Pregnant Bride (Texas Cattleman's Club: The Last Bachelor) (Silhouette Desire), by Dixie Browning

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Businessman William Bradford hadn't thought wedding bells were tolling for him until he met secretary Diana Foster, who was vulnerable, alone—and just a little bit pregnant...with another man's child. His protective instincts aroused, Will did the honorable thing and proposed. But marriage was turning out to be anything but convenient for the tall, dark Texan. The passions that his new bride inspired in him soon had Will wanting to extend their temporary arrangement so that he could love, honor and cherish Diana for a lifetime!

• Sales Rank: #2454591 in Books
• Published on: 2002-02-01
• Original language: English
• Number of items: 1
• Dimensions: .53" h x 4.24" w x 6.64" l,
• Binding: Mass Market Paperback
• 192 pages

Most helpful customer reviews

1 of 12 people found the following review helpful.
The Start to a Good Series
By A Customer
I read this book as the begining of a series which turned out to be a waste of my time... Ms. Browning suckers one into reading the other books because this one was actually pretty good.
I'll recommend this one but don't bother on finishing the series, because the gulity party is so obivious that it hurts.

See all 1 customer reviews...

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[U781.Ebook] PDF Ebook The Millionaire's Pregnant Bride (Texas Cattleman's Club: The Last Bachelor) (Silhouette Desire), by Dixie Browning Doc

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[U781.Ebook] PDF Ebook The Millionaire's Pregnant Bride (Texas Cattleman's Club: The Last Bachelor) (Silhouette Desire), by Dixie Browning Doc

[U781.Ebook] PDF Ebook The Millionaire's Pregnant Bride (Texas Cattleman's Club: The Last Bachelor) (Silhouette Desire), by Dixie Browning Doc