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The Aesthetics of Imagination in Design (Design Thinking, Design Theory), by Mads Nygaard Folkmann
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In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena -- material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible -- the enabling of new uses, conceptions, and perceptions -- lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. Folkmann's philosophically informed account shows design -- in all its manifestations, from physical products to principles of organization -- to be an essential medium for the articulation and transformation of culture.
- Sales Rank: #1821878 in Books
- Brand: Brand: The MIT Press
- Published on: 2013-04-12
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 7.00" l, 1.34 pounds
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
Review
Mads Folkmann skillfully draws on concepts from phenomenology and design epistemology to present a fundamental approach to the questions of what design is and how it works. Linking his thoughts to examples from design practice, Folkmann unfolds a broad range of theoretical concepts that are highly relevant for design practitioners and scholars to reflect on the processes, implications, and meaning of design. This book is a substantial contribution to the current discourse.
(Gesche Joost, head of Design Research Lab, University of the Arts Berlin)This is an intelligent inquiry into the aesthetics of imagination and the capacity of design to create meaning in human experience. Folkmann has made an important contribution to design theory. He brings a humanistic perspective to a field where research is often reduced to one or another of the sciences. He helps to bring into focus the wholeness of the design enterprise.
(Richard Buchanan, Department of Design and Innovation, Case Western Reserve University) About the Author
Mads Nygaard Folkmann is Associate Professor at the Institute for Design and Communication, University of Southern Denmark.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent book on the theory of design with an excellent ...
By CA
Excellent book on the theory of design with an excellent bibliography. Design is more than working and thinking with ones hands and the author proves this linking design theory to the imaginative and Cultural process that exists within the mind of the individual. This approach opens wide the previously narrow field of design. I would highly recommend this book.
0 of 0 people found the following review helpful.
in a good way. The author is extremely well read and ...
By Christopher Aiken
This book is quite philosophical ... in a good way. The author is extremely well read and offers a wealth of perspectives to consider in relation to aesthetics, imagination and design. Well done.
1 of 2 people found the following review helpful.
No page numbers--unacceptable
By Mark Mussari
This a well-written, thoughtful and somewhat a dense book about aesthetics in design. Nygaard takes a novel approach, paying close attention to issues such as possibility in design, and the book is well-researched and engaging. The problem is that, once again, this Kindle edition has no page numbers. That may be fine for a romance novel but this is a scholarly work and a research book. What good is having page numbers in an index when the reader has no way to get to those page numbers without guess work? Kindle needs to find a way to supply the original page numbers, especially in scholarly works. Otherwise, it's an exercise in frustration to purchase these books in this format.
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